This Week’s New Releases: Ariana Grande, Death Cab For Cutie and Mitski

The pace has picked up significantly compared to the last few weeks and there’s a buttload of new records for your listening pleasure! Ariana Grande has dropped her fourth album, while Mitski has put out her fifth, and Death Cab For Cutie have followed up 2015’s ‘Kintsugi’ with ‘Thank You For Today. It’s the first full-length to see Ben Gibbard, Nick Harmer and Jason McGerr joined in the studio by Dave Depper and Zac Rae, who’ve been members of their touring band for since 2015.

Animal Collective – ‘Tangerine Reef’ (Domino)

Ariana Grande – ‘Sweetener’ (Republic/Island)

Austin Lucas – ‘Immortal Americans’ (Cornelius Chapel Records)

Blue October – ‘I Hope You’re Happy’ (Mri/Red)

Bugzy Malone – ‘B. Inspired’ (B. Somebody)

Circles Around The Sun – ‘Let It Wander’ (Rhino)

Col3trane – ‘BOOT’ Mixtape (TaP Records/Geffen Records)

Conner Youngblood – ‘Cheyenne’ (Counter Records)

Cullen Omori – ‘The Diet’ (Sub Pop)

Curse Of Lono – ‘As I Fell’ (Submarine Cat)

Death Cab For Cutie – ‘Thank You For Today’ (Atlantic)

Dizzy – ‘Baby Teeth’ (Communion Group Ltd)

Example – ‘Bangers and Ballads’ Mixtape (AWAL)

Gabrielle – ‘Under My Skin’ (BMG)

Great Lake Swimmers – ‘The Waves, The Wake’ (Nettwerk Records)

John Butler Trio – ‘Home’ (Because)

Justin Hiltner and Jon Weisberger – ‘Watch It Burn’ (Robust Records)

Mitski – ‘Be The Cowboy’ (Dead Oceans)

Oh Sees – ‘Smote Reverser’ (Castle Face)

Papa M – ‘A Broke Moon Rises’ (Drag City)

Slaves – ‘Acts Of Fear And Love’ (Virgin EMI)

Stefflon Don – ‘Secure’ Mixtape (54 London)

Still Corners – ‘Slow Air’ (Wrecking Light Records)

Tom Baxter – ‘The Other Side Of Blue’ (The Orchard)

Trevor Powers – ‘Mulberry Violence’ (Baby Halo)

Yonaka – ‘Teach Me To Fight’ EP (Atlantic)

Yung Fume – ‘Too Much Wave 2’ EP (Payday Records)

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Staff Picks: Jonathan Rimmer

My Top 10 Albums of 2016

If ever there was a year for artists to get angry and radical, 2016 was obviously it. Surprisingly, though, some of my favourite records have been introverted, escapist affairs. There’s not a single EDM album on my list this year – either it’s been an underwhelming year for electronic music or I’m already a miserable bastard in my mid-20s… Anyway, my top ten:

10. Mitski – ‘Puberty 2’

Although ‘Puberty 2’ is moody and ‘90s grunge-inspired, there’s something transcendental about Mitski Miyawaki that sets her apart. Even when this album is at its heaviest and most intense – like on lead single Your Best American Girl – her voice stands out above everything.

9. Kendrick Lamar – ‘Untitled Unmastered’

Kendrick’s last project, ‘To Pimp a Butterfly’, remains one of the finest musical achievements of the 21st century to my mind, so it’s little surprise that I loved this wee appendix. These cuts might sound raw and unfinished, but they’re all still insights into the mind of a genius.

8. Katatonia – ‘The Fall of Hearts’

My favourite Swedish doom merchants returned to form on this one. They’re characteristically gloomy, with Jonas Renske’s vocals a particular standout. But the album also showcased a new found depth to their songwriting, both lyrically and structurally.

7. Money – ‘Suicide Songs’

‘Suicide Songs’ is quite a misleading title for a record that’s cathartic and melodramatic but never quite despondent. The psychedelic guitar leads clash beautifully with meticulously arranged strings, making for an otherworldly feel.

6. Law Holt – ‘City’

One of the most visceral and hard-hitting records I heard this year was made by an ‘R&B singer’. It’s a messy, difficult project full of fuzzy beats, sure, but it’s steered by an absolute titan in the form of Law Holt. Her booming vocals cut through the static, quite literally.

5. Radiohead – ‘A Moon Shaped Pool’

Okay, so this album didn’t get me in the gut in the same way that some of their albums do, but it’s still a gripping reminder that they remain the best band in the world. Taking things in a chamber pop direction, this record is fresh, well-structured and technically brilliant.

4. Schoolboy Q – ‘Blank Face’

I’d never previously warmed to Schoolboy Q’s music, despite his obvious presence and rapping abilities, but ‘Blank Face’ blew me away. It’s more than just a gritty, atmospheric gangsta record; it’s full of gripping narratives, delivered by the most convincing protagonist imaginable.

3. Three Trapped Tigers – ‘Silent Earthling’

The most daring and ridiculous instrumental rock record you’ll hear this year. Packed with retro synths, blaring keys and syncopated rhythms, ‘Silent Earthling’ grabs you by the scruff of the neck and takes you on an exciting, albeit terrifying, journey.

2. Frank Ocean – ‘Blonde’

Frank Ocean responds to overwhelming expectation by making a record that’s even more reserved and lo-fi than his debut, but it works remarkably well. ‘Blonde’ is a unique album precisely because it manages to be both lush and melodically unpredictable.  

1. Noname – ‘Telefone’

I heard a lot of people describe Noname’s style as ‘cute’, which does her a huge disservice. While the lyrics are nostalgic and the vibe is mellow, it’s Noname’s playful, poetic delivery that makes ‘Telefone’ such a gorgeous collection of tracks.

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