Home > News & Reviews > The Neal Morse Band

The Neal Morse Band - 'The Similitude Of A Dream' (Album Review)

Thursday, 24 November 2016 Written by Simon Ramsay

If there were such a thing as the prog rock Oscars, 2016 would be a fairly fruitless year for every group that isn’t the Neal Morse Band. ‘The Similitude Of A Dream’ is a double concept album that’s as grandiose and intense as it is subtle and playful. It’s Ben Hur.

Following last year’s ‘The Grand Experiment’ should have been a daunting challenge, but Morse, Mike Portnoy, Randy George, Eric Gillette and Bill Hubauer displayed such a supernatural chemistry on their debut as a fully fledged band there was little doubt the quintet’s return would be equally strong.

As with that exceptional bow, there’s an imperious dynamism to this record that stems from them working together as a creative team and not just serving as Morse’s backing group.

From the rotating cast of lead vocalists to some magnificent harmonies, a waterfall of magical melodies and stunning instrumental textures, everything that made ‘The Grand Experiment’ such a success has been used as a launch pad to further explore the conceptual cosmos.  

Based on the first part of John Bunyan’s 17th century work The Pilgrim's Progress, ‘The Similitude Of A Dream’ unfurls an allegorical narrative about a man named Christian (get it?) who embarks on a perilous dream-state journey from the ‘City of Destruction’ to the ‘Celestial City’ atop mount Zion.  

Its unsubtle religious references won’t appeal to those who finds such sentiments cloying, but instead of slavishly following the text or preaching, Morse has given the tale a modern day makeover, depicting the character’s spiritual quest through stylistically diverse songs that, thanks to recurring thematic motifs introduced on the soaring Overture, cohere masterfully.

City Of Destruction is heavy, aggressive and fittingly bleak, the tear jerking Breath Of Angels sumptuously ethereal, while Freedom Song’s renaissance folk will be adored by Ritchie Blackmore. Led Zeppelin’s Black Dog is also resurrected as powerhouse rocker The Man In The Iron Cage.  

Not that anything here is easily categorised or predictably structured. Draw The Line’s funky and fiery riff breaks down into a cool jazz number with echoes of Steely Dan. The Ways Of A Fool recalls ELO, the Beatles, Queen and Kansas as it takes us through a wondrous landscape of ‘70s melodies and The Mask’s classical piano dance seamlessly turns into a dramatic semi-industrial number with a weirdly cool squealing groove.

These 23 tracks are shorter than Morse’s usual fare and there are no prolonged epics, but from the ephemeral mistiness of The Dream to the shock and awe of The Battle, each boasts at least one sumptuous hook that makes them memorable in their own right and crucial to the record’s overarching flow.  

It may be over 100 minutes long, too, but an endless array of instrumental flourishes help to keep things fresh and entertaining. George’s bass break on the exuberant I’m Running is brilliant, while Gillette’s technically precise but passionate lead playing, along with Hubauer’s magnificent retro-futuristic keyboard bursts and Portnoy’s mesmeric drumming, are a delight to behold. Their work is complemented throughout by beautiful strings, saxophones, horns, a gospel choir and much more.

Portnoy's initial reticence at releasing a double record this year eventually gave way to the belief that this LP could stand alongside Pink Floyd’s ‘The Wall’ and the Who’s ‘Tommy’. Duly, ‘The Similitude Of A Dream’ will certainly delight prog aficionados with its loving references to some of the genre’s most iconic releases. But does it live up to them? Well, the story isn’t particularly compelling or surprising and loses its lustre pretty quickly, but musically it’s a bona fide magnum opus. Of all the double concept albums released this year it’s definitely the most, dare we say it, astonishing.

The Neal Morse Band Upcoming Tour Dates are as follows:

Thu April 06 2017 - BIRMINGHAM O2 Academy2 Birmingham
Fri April 07 2017 - GLASGOW O2 ABC Glasgow
Sat April 08 2017 - MANCHESTER O2 Ritz
Sun April 09 2017 - LONDON O2 Academy Islington

Click here to compare & buy The Neal Morse Band Tickets at Stereoboard.com.





Let Us Know What You Think - Leave A Comment!




You May Also Like:

Never Bored: Ugly-Pop Band Skating Polly Discuss Life On Tour
Mon 10 Sep 2018
Wanderlust is a word usually associated with gap years and middle aged people who want a fancy way of saying they’re bored with the life they’ve made for themselves.
Grin Through The Dark Stuff: The Dirty Nil Return With The Mighty 'Master Volume'
Tue 11 Sep 2018
Towards the end of Pain of Infinity, one of the singles from the Dirty Nil’s new record ‘Master Volume’, Luke Bentham drawls “and another thing, baby...” before ripping a guitar solo. He gets back to the microphone in time to yell: “I never loved you and I hate your friends.” The frontman is inconsiderately handsome, and has been known to play a Gibson Les Paul mid-knee slide while chewing bubblegum and wearing a star-spangled denim cowboy shirt.
Light, Love and Lineage: Amy Helm Keeps Her Family's Fire Burning
Thu 27 Sep 2018
Photo: Ebru Yildiz To some people music is much more than just a form of entertainment or artistic expression. On her latest solo album ‘This Too Shall Light’ Amy Helm, daughter of the Band’s legendary singing drummer Levon Helm and singer-songwriter Libby Titus, has not only crafted a beautiful collection of gospel-infused Americana gems, but also a record with a rich sense of heritage dripping from every note.
New Faces, New Sound: How Federal Charm Moved Forwards on 'Passenger'
Tue 18 Sep 2018
Imagine being in a rock ‘n’ roll band with two albums under your belt and a fistful of big-name support slots in the bank. Imagine you spent the best part of a decade building a fanbase. Then, just as you’re preparing to make that all important third album, imagine waving goodbye to half the group. Do you wallow in self-pity? Wave the white flag and call it quits? Or recruit two new members and bounce back with your strongest album to date.
Making A Big Noise Is Fun: Inside The Weird And Wonderful World Of HMS Morris
Wed 26 Sep 2018
Let’s start with some advice from Heledd Watkins and Sam Roberts, who are the backbone of the Welsh-speaking, genre-melding psych-pop band HMS Morris: “Expect the unexpected.”
Stop Standing Still: The Goon Sax Evolve On The Rich, Ambitious 'We're Not Talking'
Mon 17 Sep 2018
Photo: Ben O'Connor Louis Forster keeps forgetting something. He’s at his band’s rehearsal room picking up some gear. They’re going on tour; landing in London and moving on to an opening night in Glasgow after the long trip over from Brisbane. They’re pretty much good to go.
Poetry Versus Precision: Estrons Talk 'You Say I'm Too Much, I Say You're Not Enough'
Fri 05 Oct 2018
Photo: Imogen Forte When Estrons vocalist Tali Källström played a test pressing of the band’s debut album to a friend, their response was easy to remember. “It sounds like you’ve dipped in and had sex with every genre,” they said. Well, they’re not wrong.
Attan - End Of (Album Review)
Wed 19 Sep 2018
Attan released their debut EP, ‘From Nothing’, three years ago. There wasn’t a whole lot of fanfare, just positive rumblings and a few ‘ones to watch’ recommendations. Anyone who saw the band during that period got it, though. The Norwegians’ sludge-tinged, blackened hardcore was radicalised in the live arena as vocalist Remi Semshaug Langseth went walkabout during the cathartic seven minute epic Edward. He screamed in faces, slapped his heart onto his sleeve and then carved it open for all to see.
 
< Prev   Next >