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Wednesday, 22 June 2011 |
Written by Alice Findlay
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Forthcoming album from New York solo artist Pursuit Grooves 'Frantically Hopeful' is due for release on July 4th. Undoubtedly effortful production, Pursuit Grooves performs in all constructive elements; singing, M.C.ing song-writing and production. Pursuit Grooves fuses together house, hip hop, trip hop, and electronica. It’s a good ambient album that’s for sure. If your in need of an hours peace and a contemplation time then this would be a good sound track for that indeed. She’s been credited for “a creative delivery of abstract electronic soul”. Abstract definitely.
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Wednesday, 22 June 2011 |
Written by Lee Johnston
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Grey Reverend is the solo project of singer, songwriter and composer L.D. Brown, who has enjoyed considerable success touring with British Jazz/Electronic outfit The Cinematic Orchestra (TCO) after befriending TCO’s founding member Jason Swincoe. ‘Of the Days’ is the first solo album of Brown’s to be released on Swincoe’s new label Motion Audio.
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Wednesday, 22 June 2011 |
Written by Matthew Williamson
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For the sake of our readers can you please say who you are and what you do in the band?
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Wednesday, 22 June 2011 |
Written by James Conlon
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Amy Winehouse was forced on stage by her British bodyguards for her much-criticised performance in Belgrade on Saturday (June 18th), according to reports. Ana Zoe Kida, a member of Winehouse’s support band Zemlja Gruva, claims that the intoxicated singer was struggling to avoid the performance, but was eventually pushed onto the stage area by her bodyguards.
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Tuesday, 21 June 2011 |
Written by Rob Sleigh
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Previously, Berkshire three-piece The Good Natured have drawn comparisons to the likes of La Roux and Ladytron, thanks to their winning combination of infectious electro-pop with frontwoman Sarah McIntosh’s enchanting vocals. On this occasion however, for the title and lead track on their new EP ‘Skeleton’ – incidentally, their first release on a major label – The Good Natured have chosen what feels like a post-punk quality, more akin to the likes of indie-rockers Maximo Park. However, the haunting guitar intro and thundering drums soon give way to a rather more effervescent and catchy pop chorus, which bears similarity to a host of ‘80s dance tracks and hears McIntosh at her most melodic.
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