Home > News & Reviews > Katherine Ryan

Katherine Ryan Confirms One Off Edinburgh Show

Wednesday, 13 June 2018 Written by Jon Stickler

Katherine Ryan will bring her Glitter Room tour to Edinburgh this summer.

The Canadian comic will head to the Playhouse on August 16 as part of the city's Fringe festival, prior to her run at London's Garrick Theatre in September.

Tickets for the new date go on general sale at 10am on June 15.

Katherine Ryan Upcoming Tour Dates are as follows

Thu August 16 2018 - EDINBURGH Playhouse
Mon September 17 2018 - LONDON Garrick Theatre
Tue September 18 2018 - LONDON Garrick Theatre
Wed September 19 2018 - LONDON Garrick Theatre
Thu September 20 2018 - LONDON Garrick Theatre
Fri September 21 2018 - LONDON Garrick Theatre
Sat September 22 2018 - LONDON Garrick Theatre
Mon September 24 2018 - LONDON Garrick Theatre
Tue September 25 2018 - LONDON Garrick Theatre
Wed September 26 2018 - LONDON Garrick Theatre
Thu September 27 2018 - LONDON Garrick Theatre
Fri September 28 2018 - LONDON Garrick Theatre
Sat September 29 2018 - LONDON Garrick Theatre

Click here to compare & buy Katherine Ryan Tickets at Stereoboard.com.

Let Us Know What You Think - Leave A Comment!

Related News

Katherine Ryan Adds Six Extra Dates To Glitter Room London West End Residency
Wed 22 Aug 2018
Katherine Ryan has added an extra week to her Glitter Room residency in London's West End due to demand.
Katherine Ryan Extends Glitter Room Tour To London's West End
Wed 06 Jun 2018
Katherine Ryan has extended her Glitter Room UK tour.
Katherine Ryan Adds Ipswich Show To Glitter Room Tour
Wed 07 Mar 2018
Katherine Ryan has added an Ipswich show to her Glitter Room tour.
Nice Electricity: Inside Jawbone's Sizzling Old School Debut
Wed 14 Nov 2018
Photo: Rob Blackham Sometimes an album arrives from out of nowhere and knocks you off your feet. There’s something new, yet familiar, about its melodies, its heart-warming immediacy and the effortless chemistry that oozes from the bewitching songs within. We’re basically talking the musical equivalent of love at first sight, which is exactly what fans of bluesy rock ‘n’ roll and American roots music will doubtless feel after hearing Jawbone’s quietly magnificent self-titled bow.
Boygenius - Boygenius (Album Review)
Tue 13 Nov 2018
Photo: Lera Pentelute Supergroup is a big, ugly label. It’s reductive, and it ramps up the pressure on what is always a new endeavour—even if the players are seasoned pros. Friction is naturally created by expectations rubbing up against the mechanics of making music in a fresh formation, often leading to overhyped records that feel like a tired exhalation of breath from their first note.
'We Wanted To Reach People on a Personal Level': Pijn Discuss The Genre-Defying Power Of 'Loss'
Mon 12 Nov 2018
A striking development in the past decade or so has been the extent to which people discover music through mood as opposed to genre. Streaming services have adapted to perceived consumer demand by releasing reams of playlists tailored to every emotion or context imaginable, from deeply depressed to “songs to sing to in the car”. This has its upsides and downsides for a band like Pijn.
Mick Jenkins - Pieces Of A Man (Album Review)
Tue 20 Nov 2018
Mick Jenkins was riding the crest of a wave when his breakout mixtape 'The Water[s]' dropped in the summer of 2014. Talented heads like Chance the Rapper, Vic Mensa, Noname and Saba would all go on to emerge from the same bubbling Chicago hip-hop scene, but Jenkins had positioned himself in critics' minds as the moody and technically gifted older brother. He already appeared fully formed in an artistic sense, framing highly conceptual songwriting with jazz-influenced verses and a raspy vocal delivery.
Driven By Honesty: Barry Dolan Discusses Oxygen Thief's 'Confusion Species'
Thu 22 Nov 2018
Photo: Chris Taylor When Bristol-based songwriter Barry Dolan released 'Destroy It Yourself', the first Oxygen Thief album, in 2011, he stood out for his entirely acoustic take on melodic hardcore if not the subjects he explored. Dolan conveyed ruminations on love, loss and hypocrisy through cryptic metaphors and sharp turns of phrase, complemented by fitful riffing without a backdrop.
< Prev   Next >