Home > News & Reviews > Kojey Radical

Persistence And Patience: Kojey Radical Talks 'In Gods Body'

Monday, 11 September 2017 Written by Milly McMahon

Photo: Ejiro Dafe

Kojey Radical endeavours to educate his audiences by offering new and original perspectives on life. He presents ideas that challenge our ideals and promotes change through the rejection of societal norms and any sense of political dictatorship.

Debating moral dilemmas and frequently delving into his soul to discuss the sources of his angst, Kojey is an expansive vocalist, producer and writer who wants to liberate by fostering self-belief, freedom of speech and patience.

The rapper and poet points to seeing spoken word artist Suli Breaks perform at his college as a turning point in the conception of his art, with his writing focused on exploration of politics, manhood, love, solitude, and sexuality across his new record, ‘In Gods Body’.

The release features collaborations with Ghetts, on its standout track, Mood, Shola Ama, Collard, Obongjayar and Michaela Coel, among others. We chatted with Kojey about ‘In Gods Body’ and why now is the time for him to break into the popular consciousness.

Do you hope to break through to mainstream audiences or remain more on the periphery with your music?

I feel like one of the biggest things I learned while making ‘In Gods Body’ was to stop seeing anything I do as local or small, and to start considering it as being on the world stage because I think the messages and the thoughts and feelings I’m trying to put across in the music are important to hear everywhere. We can be unified in our thoughts.

Are you more inspired to write when you are living an introverted or extroverted life?

I think because my inspiration comes from everyday life, it doesn't matter. Becoming more extroverted gives me new things to be inspired by because I’m experiencing new people.

You’ve stated that your principles guide your music. What has influenced your best work, in your opinion?

Letting go of fear was a big one. Learning to be unafraid helped me approach speaking about a multitude of topics a lot more openly. That goes from talking about everything from politics, to fear and to love in the same way. Learning to let go is an important principle.

This year feels like the point at which you have committed to launching your work on wider scale. Why is now the right time?

I don’t think it was a conscious decision, but I feel a lot more people are becoming open to a lot more sounds, especially those that are coming out of the UK. I’m fortunate to be coming up when people’s ears are a lot more open. But I would have continued to progress regardless as persistence and patience are all you need to achieve success.

Who are PUSHCRAYONS for those unfamiliar?

PUSHCRAYONS is the creative collective and agency that I head up. It was created around the idea of an open collective and people coming together to work on important things. Over the years, it has taken on many different incarnations but ultimately what PUSHCRAYONS comes down to is work.

What video plans do you have? Who would you like to collaborate with?

We create everything in-house. I am lucky enough to have some of the best creative minds working beside me. That includes Lewis and Alex of The Rest. Charlie Di Placido, Craig Arthur. These people inspire me to create at my highest potential. We want to create visuals that are representative of people’s lives and tell more stories.

You walked for Oliver Spencer and Maharishi at London Fashion Week. How did you find the experience?

It felt cool. I’ve always been influenced by and a part of fashion. I studied at London College of Fashion. The opportunity to work and be a part of the shows in the spotlight rather than behind the scenes was something I will always cherish. I want to do more in fashion and those experiences will hopefully open the door to let me do more.

What projects outside of music are you keen to pursue next?

I wouldn’t mind getting into film, maybe either in front of the camera or behind the camera. That’s something that is a lot later down the line. I have more to achieve in my music.

Kojey Radical Upcoming Tour Dates are as follows:

Wed October 25 2017 - LONDON Village Underground
Thu October 26 2017 - BRISTOL Exchange
Fri October 27 2017 - MANCHESTER Deaf Institute

Click here to compare & buy Kojey Radical Tickets at Stereoboard.com.





Let Us Know What You Think - Leave A Comment!




You May Also Like:

Weed, Riffs And Prog: Boss Keloid Head Into The Unknown
Thu 26 Apr 2018
In a little under a decade together, Boss Keloid have earned a good deal of support from the metal community. Having risen up from scene in the northwest of England, the Wigan five piece have performed at Bloodstock and been hotly tipped by Metal Hammer, Kerrang, and Terrorizer. Much of this acclaim is owed to their killer sophomore album, ‘Herb Your Enthusiasm’, which, understandably, turned the heads of stoner-doom enthusiasts across the weedesphere back in 2016.
Cardi B - Invasion of Privacy (Album Review)
Fri 13 Apr 2018
One thing is for sure: Cardi B is no one hit wonder.
Music Is Meant To Inspire: How Brothers Osborne Created The Sprawling 'Port Saint Joe'
Fri 04 May 2018
The notion of genre as insular and self-contained is eroding. In a way that reflects our increasingly interconnected global community, exposure to a wider variety of influences means that fewer artists will stick devoutly to one style. Stuffy traditionalists will complain, but on their sophomore record ‘Port Saint Joe’ the Brothers Osborne show exactly why such an eclectic approach can reboot venerable musical forms in a fresh and exciting way.
Music Was Always There: Jake Ewald Talks Starting Again With Slaughter Beach, Dog
Fri 04 May 2018
Photo: Jess Flynn Back in February of last year, Jake Ewald had to find a new job. After several years spent writing records and touring with Modern Baseball, the band went on indefinite hiatus. The statement they released referred to the fact that they had been “championing the importance of mental health” and that the band had become a source of anxiety that they could no longer ignore.
John Prine - Tree of Forgiveness (Album Review)
Thu 19 Apr 2018
‘The Tree of Forgiveness’, John Prine’s first album of originals in 13 years, sees the singer-songwriter deliver a fine collection of folksy Americana, with his distinctive and understated drawl presenting themes of mortality and rejuvenation. It is an album of genteel humour and quiet existentialism that should inform (and remind) listeners of his rare talent.
Grouper - Grid of Points (Album Review)
Mon 30 Apr 2018
Photo: Tanja Engelbert Liz Harris is an interesting musician.
Rough Hands - Moral Terror EP (Album Review)
Tue 17 Apr 2018
Photo: Harry Steel Rough Hands’ ‘Moral Terror’ EP is an example of intelligent British hardcore that will nevertheless satisfy your unquenchable mosh pit bloodlust. It would certainly be a fitting soundtrack for isolationist misanthropy, or maybe sending a windmilling elbow towards someone’s face. But there is more at at work here than just noise and chest-beating.
Princess Nokia - A Girl Cried Red (Album Review)
Thu 26 Apr 2018
Photo: Alberto Vargas There's something immensely likeable about east coast rap whizz Princess Nokia, at least at first glance. She's a strong role model for young women in hip hop, known for advocating a feminist ethos and calling out racism, homophobia and body shaming at every opportunity. Her label debut, '1992 Deluxe', though inconsistent, was colourful and abstract, with each track exhibiting a different aspect of her fascinating personality.
 
< Prev   Next >