Chris Stapleton Announces New Album 'From A Room: Volume 2'

Whenever an artist releases a swift follow up to their previous record that includes material culled from the same sessions, any excitement is often curtailed by the nagging concern you’re about to be served reheated leftovers. 

Photo: Andy Barron Chris Stapleton has shared a new song, Millionaire.

If you’re one of the two million souls who fell in love with 2015’s ‘Traveller’, the debut solo album from hirsute singer-songwriter Chris Stapleton, then prepare your heart for a blizzard of butterflies with the arrival of ‘From A Room: Volume 1’. Wisely adhering to the ‘if it ain’t broke, don’t fix it’ principle, this record covers similar ground to its predecessor, albeit with subtle textural tweaks to incite further palpitations.

Ithaca “It’s difficult to be objective about something that was happening while you were at a young age,” ponders Djamila Azzouz, the lead singer of London-based hardcore upstarts Ithaca.

td#right {display:none !important;} SUMMER. IS. FINALLY. HERE. Festival season is now upon us: the bumbags have been fished from the back of the wardrobe, the wellies have been scrubbed clean of two year’s worth of forgotten Glastonbury mud and you’ve stocked up on various colours of glitter from the craft shop. You discerning music fanatics now have an important choice to make: “Which festivals should you go to?” Stereoboard know your pain. Every year we’re faced with the same dilemma, and with the UK festival scene growing faster than you can count your ever-growing collection of wristbands, it’s never been harder to decide. If only there were some sort of guide to help you through… Here we are then. The best of the fests, organised by where you might be in the country. Because you’re never too far from a weekend of music and merriment. Let’s get started then, shall we?

The Shires, Alabama3, and Magic Numbers have joined the bill for Black Deer Festival.

Our childhood friends occupy a special place in our hearts for a whole host of reasons, but perhaps chief among them is the fact that they knew us when we were alternately useless, directionless, and maybe even fun in a carefree sort of way.

td#right {display:none !important;} Photograph: Gareth Jarvis As Gareth Jarvis sets up for the fourth edition of Stereoboard’s wet plate portrait series in the green room of Clwb Ifor Bach in Cardiff, Alex Lahey eyes his vintage camera with curiosity. “How old is it?” she asks, before getting excited that the antique brass lens has Melbourne engraved on it. “That’s where I’m from!” she exclaims, before listening intently as it’s explained that we’ll be taking her picture with equipment from the 1800s.