The Glitch Mob Announce November Shows In London And Manchester

Photo: The Shoot Adwaith have one of the most streamed Welsh language songs of all time, and Manic Street Preachers frontman James Dean Bradfield recently remixed one of their tracks. But there are still way too many people out there who’ve never heard of the Carmarthen trio. Why is that?

Music critics are often guilty of presenting rock's history as linear. Progressive rock emerged out of pop music and psychedelia in the late 1960s but was ultimately killed off by punk in the late 1970s, so the narrative goes. Punk, with its raw sound and DIY ethic, was also a better vehicle for voicing social and political issues than prog, which was considered more escapist and lyrically concerned with “high culture”.

There won’t be many musicians with an address book as impressive as Doyle Bramhall II’s. From Elton John and Roger Waters to Sheryl Crow and Alain Toussaint, not to mention his position as Eric Clapton’s right-hand man for nearly two decades, the Texan born singer, songwriter, guitarist and producer has often been the go-to collaborator for some of the greatest names in the business. Such a role inevitably meant putting his own career on hold, but with the release of ‘Shades’ – his second solo album in two years - he’s finally taking centre stage.

Photo: Andy De Santis I know Chris Farren and Jeff Rosenstock are friends. You know Chris Farren and Jeff Rosenstock are friends. But do Chris Farren and Jeff Rosenstock know that Chris Farren and Jeff Rosenstock are friends? “Hey,” Farren says from the stage at Bristol’s Exchange. “If you’re excited for Jeff Rosenstock, let me hear you say...‘CHRIS FARREN!’” When Rosenstock’s guitar packs up mid-set, his attempts to borrow Farren’s are met with silence until a member of his band suggests Tweeting him. Yeah, that’d probably do it, Jeff nods.

Photo: Lera Pentelute Earlier this summer, three like-minded indie-rock musicians began teasing their fans. Julien Baker, Phoebe Bridgers and Lucy Dacus were pictured together, draped moodily on a sofa. Looking suspiciously like the sleeve image from Crosby, Stills and Nash’s self-titled bow, the word ‘Boygenius’ ran below them, as well as that all-important stamp of approval from Matador Records. Speculation bubbled. Rumours were whispered.