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Mac DeMarco - Another One (Album Review)
A simple, slow sense of ease runs through Mac DeMarco’s music. It’s the kind of ease that would usually betray a simple, hassle-free attitude. But still waters run deep, and stating the obvious is not a characteristic his music is associated with.
Written by: Milly McMahon | Date: Tuesday, 04 August 2015
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The Chemical Brothers - Born In The Echoes (Album Review)
Remaining relevant across a couple of decades in any sphere of music is tough, but to continue to cut through the technological advances, stylistic innovations, and regressions, of electronic music’s patchwork quilt requires both dedication and rapid adjustments.
Written by: Huw Baines | Date: Wednesday, 29 July 2015
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Team Sleep - Woodstock Sessions Vol. 4 (Album Review)
Let's be honest: if you've listened to Team Sleep before, you're definitely a Deftones fan. After all, without the relevant context – namely that Chino Moreno is the architect behind this project – it makes little sense for a band to put out a semi-live album a full decade after their sole previous release, which itself is a record largely forgotten by the world at large.
Written by: Jonathan Rimmer | Date: Tuesday, 28 July 2015
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Lamb Of God - VII: Sturm und Drang (Album Review)
Much has been said about Randy Blythe's incarceration, acquittal and subsequent badassery. We already know this stuff, so let's delve into 'VII: Sturm und Drang', the return of Lamb of God, and see if it's worth the wait.
Written by: Alec Chillingworth | Date: Friday, 24 July 2015
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Joe Satriani - Shockwave Supernova (Album Review)
Imagine Jimi Hendrix hadn’t died back in 1970, but instead became an intrepid explorer of the billions of galaxies out there. On his return to earth, the experience cast his playing against interstellar soundscapes and fiery blues-rock, the collision creating a sonic journey through time and space. That, pretty much, is what you get with Joe Satriani.
Written by: Simon Ramsay | Date: Thursday, 23 July 2015
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White Reaper - White Reaper Does It Again (Album Review)
Garage punk’s love affair with atmospherics is often a neat crutch, making it easy to sound the part while glossing over any missing hooks or recycled riffs. White Reaper ply their trade in such fuzzy confines, but their debut full length is a tumbling, gleeful wreck of melody and Ramones-meets-Ronettes style. Far from relying on trickery, ‘White Reaper Does It Again’ busts open some reverb-soaked affectations to get to the sugar rush of the songs within.
Written by: Huw Baines | Date: Tuesday, 21 July 2015
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Tame Impala - Currents (Album Review)
Some artists create music to enhance the environment around them, adding context and colour to the passage of time. Kevin Parker, frontman of Australian psych-wanderers Tame Impala, sonically lassoes his listeners’ total attention. Tumbling down a wormhole of delicious, imaginatively nonsensical music, their sound breaks down the barriers separating reality from dreams, hallucinations and forgotten memories.
Written by: Milly McMahon | Date: Monday, 20 July 2015
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Veruca Salt - Ghost Notes (Album Review)
Despite ‘Ghost Notes’ representing Veruca Salt’s first new music in nine years, and the first release from this line up in 18, they slip back into a comfortable mould pretty seamlessly. For that reason, their return is a welcome one, but not a particularly impressive one. Those hoping for more of the same will not be disappointed. Those expecting a shift in priorities or new-found maturity will.
Written by: Laura Johnson | Date: Friday, 17 July 2015
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Heather Woods Broderick - Glider (Album Review)
The 'girls-with-guitars' pigeonhole has become an appalling cliché in recent years, both reductive and offensive. It would be particularly unfair to apply it in the case of multi instrumentalist Heather Woods Broderick, a veteran songwriter and bandmate of Sharon Van Etten, who conveys her Americana-influenced sound through arrangement more than anything else.
Written by: Jonathan Rimmer | Date: Thursday, 16 July 2015
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Years & Years - Communion (Album Review)
When was the last time you said “they’re going to be huge” and meant it as a genuine, from-the-heart compliment? There is a gap, which shows little sign of closing, between pop ubiquity and perceived quality and it’s one into which Years & Years have strayed on ‘Communion’, their debut album.
Written by: Huw Baines | Date: Wednesday, 15 July 2015
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Cradle Of Filth - Hammer Of The Witches (Album Review)
So much shines brightly in the twinkling flashbacks to yesteryear: Turkey Twizzlers, The Simpsons and realistic, manageable student debt all linger in that rose-tinted realm. Some basement-dwelling keyboard warriors believe Cradle of Filth belong there, too. But they are wrong.
Written by: Alec Chillingworth | Date: Friday, 10 July 2015
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Four Tet - Morning/Evening (Album Review)
In consolidating his position at the helm of non-genre-specific electronic music, Four Tet has delivered an album that does not take a traditional form, instead winding its way through two feature length segments.
Written by: Milly McMahon | Date: Thursday, 09 July 2015
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Ezra Furman - Perpetual Motion People (Album Review)
Rarely has artistic development been as apparent as it is on ‘Perpetual Motion People’, the new record from the prolific Ezra Furman. Writing in the Guardian recently, the Chicagoan thanked Lou Reed and The Velvet Underground for opening a door in his head during his youth. Well, thank god they came-a-knocking.
Written by: Laura Johnson | Date: Wednesday, 08 July 2015
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Saint Raymond - Young Blood (Album Review)
As multi-purpose as chart pop can be, the element of surprise is still a vital ingredient. It’s what prevents melodies from becoming retreads and choruses from disappearing into the ether without making an impact. It’s largely missing from Saint Raymond’s debut full length, ‘Young Blood’, which struggles to break free of its status as a competent, somewhat beige, collection.
Written by: Huw Baines | Date: Wednesday, 08 July 2015
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Sleaford Mods - Key Markets (Album Review)
“I look like the Michelin Man,” spits Jason Williamson as Live Tonight introduces 'Key Markets'. It's not quite the cry of “McFlurry!” that pocked 'Austerity Dogs', but it's still ridiculous and still unquestionably Sleaford Mods.
Written by: Alec Chillingworth | Date: Monday, 06 July 2015
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Refused - Freedom (Album Review)
Since its release, many bands have attempted to make another 'Shape Of Punk To Come'. One by one, they have all failed. It's a trap that Refused have opted to avoid in the simplest manner available to them: they haven't bothered trying.
Written by: Huw Baines | Date: Wednesday, 01 July 2015
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Fraser A. Gorman - Slow Gum (Album Review)
A part-time carpenter with a love of American rock ‘n’ roll, Fraser A. Gorman is a man of many talents. Luckily ‘Slow Gum’, his debut full length, displays one of them throughout: a knack for penning wonderfully understated songs.
Written by: Laura Johnson | Date: Tuesday, 30 June 2015
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Miguel - Wildheart (Album Review)
Miguel writes intensely sexual music. Daring to explore lyrical nether regions intimate enough to make even Drake’s thighs tremble, dark lust and explicit passions fuel ‘Wildheart’, his third album.
Written by: Milly McMahon | Date: Monday, 29 June 2015
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Everything Everything - Get To Heaven (Album Review)
Photo: Tom Johnson
There are a couple of things going on here. Superficially, ‘Get To Heaven’ is Everything Everything gone pop. It’s not that they’ve shied away from it in the past, rather that they have now fully embraced its ebullient spirit and run with it. A quick scratch beneath the surface, though, reveals a nightmarish vision of our turbulent present and warnings of lessons unheeded from our violent past.
Written by: Huw Baines | Date: Friday, 26 June 2015
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Wolf Alice - My Love Is Cool (Album Review)
There’s a certain breed of indie band that has become lazy and satisfied in the knowledge that their records will be bought in healthy quantities for the rest of time by the ‘proper music’ brigade. It takes a record like ‘My Love Is Cool’ to upset that particular apple cart. Not only will it propel Wolf Alice to stardom, it’ll do so with a much-needed sense of abandon.
Written by: Huw Baines | Date: Thursday, 25 June 2015
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